Archive for September, 2011

September 30, 2011

Script: 50/50

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50/50 was written by Will Reiser.

September 30, 2011

Quote of the Day: Tom Schulman

For me the challenge is always to look inside myself and find what’s really behind what I’m working on.

September 29, 2011

Quote of the Day: William Carlos Williams

To make the listener listen, the theme is repeated stressing a variant: it is a principle of music to repeat the theme. Repeat and repeat again, as the pace mounts.

September 28, 2011

Charlie Kaufman’s Take on Screenwriting

Charlie Kaufman is far and away one of my favorite working screenwriters. He’s written such meta masterpeices as Eternal Sunshine of the Spotless Mind, Being John Malkovich, and Adaptation. In this recent interview, Kaufman offers his perspective on screenwriting and the business of film:

On studio filmmaking…

‘In a lot of movies, especially big studio ones, they’re not constructed in any other way than to get people to like them and then tell their friends. It’s a product. It’s like building a Buick. I don’t think the studios would even argue with that. It’s a very big business, a very risky business, and they want some sort of certainty that they’re going to succeed. They push certain buttons. But those movies aren’t interesting to me.’

On being seen as a ‘mathematical’ screenwriter…

‘I’ve heard people say that, and I don’t approach things that way. It often does come down to imagining different permutations of events. But I’m certainly not mathematical by training. I have a personality that tends to be somewhat compulsive, and I do tend to think in a circular way. I dwell on the same things over and over and I try to figure out different ways of looking at the same issue.’

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September 28, 2011

Quote of the Day: Amy Holden Jones

Usually when you have a block, It’s because you’ve lost the motor of the story.

 

September 27, 2011

Script: The Hurt Locker

Here’s the script for The Hurt Locker, the Best Picture of 2010. This script was written by Mark Boal.

September 27, 2011

Quote of the Day: Wesley Strick

I have two tricks. One is that I write every day, regardless of whether I want to or not because as I just said, in a way I never want to write. It’s not even an issue. I just write four pages a day when I’m working. I have a quota. A sub-set of that system is that I am a firm believer that bad ideas lead to good ones. When I am not inspired and I don’t know the solution I will just type out the most banal solution and know that at least it’s on the page and it gets me to the next story beat.

September 26, 2011

The Black List

This article sheds some light on the infamous Black List, an annual list of the best unproduced scripts floating around Hollywood. No tips for actually getting on the elusive list, but an interesting read nonetheless:

If you’ve ever wondered what Jason Bourne was like in high school, you’re in luck. Today sees the release of Abduction, a bland-looking thriller starring Twilight heartthrob Taylor Lautner. Lautner’s complete inability to emote—what some people would call “acting”—precludes him from most roles, but not from woodenly scowling through a by-the-numbers action flick.  […]

That’s why it’s so surprising that as recently as last year, Abduction was listed as one of the most impressive unproduced screenplays in Hollywood. The film ranked among the 76 movies featured on 2010’s “Black List”—an annual poll in which almost 300 anonymous studio executives weigh in on the most promising screenplays floating around in Hollywood. Each year’s Black List—which is ordered by the number of “mentions” a script gets from the executives surveyed—is a singular opportunity to look into the minds of the people who determine which movies you can see at your local theater.

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September 26, 2011

Quote of the Day: Ed Solomon

The first screenplay I ever sold was something I’d written with Chris Matheson, my sometimes writing partner. It was Bill & Ted’s Excellent Adventure. And we had a meeting with a director who had some really lame ideas. And Chris and I said, ‘I don’t think that would really work.’ And this director said, ‘Well, if you don’t think that’s a good idea, we’ll find some writers who do think it’s a good idea.’

September 23, 2011

Script: The Lion King

In honor of this animated classic’s 3D release, here is the script for The Lion King, provided by Drew’s Script-o-Rama. This script was written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton.