Posts tagged ‘ten tips’

August 18, 2011

Ten Tips for Creating a Strong Main Character

The Script Lab wrote this article offering ten simple tips for creating a lead character that is interesting enough to drive an entire 120 page script:

The most important character in your screenplay is your protagonist: your hero. It’s her story. We hope and fear for her. She’ the interesting somebody who wants something badly and is having trouble getting it. Without your hero, there is no story. But when creating that unforgettable protagonist, you must know the whole package – the entire iceberg- which is no easy task, but follow these Ten Key Rules and you’ll sculpt a hero that breaks the mold.

1. You must create an interesting protagonist, one that your audience will want to watch, hope, and fear for.

2. We don’t have to feel sympathetic toward him/her (although it is a great help), but we must at the very least feel empathy.

3. We love to see characters acting bravely, so it is not only what the character is trying to accomplish that makes us cheer for him or her, but it’s the lengths he/she is willing to go to get it. Make sure the lengths are far. We want a journey.

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May 2, 2011

10 Writing Tips from the Great Billy Wilder

Scott Myers of GoIntotheStory.com recently posted this list of ten writing tips passed down by the amazing Billy Wilder. Wilder was the scribe behind such classics as Some Like it Hot, The Apartment, The Seven Year Itch, Sabrina, and Double Indemnity, to name a few. Wilder’s gravestone reads “I’m a writer, but then nobody’s perfect.”

1. Grab ’em by the throat and never let go.

2. Develop a clean line of action for your leading character.

3.The more subtle and elegant you are in hiding your plot points, the better you are as a writer.

4. If you have a problem with the third act, the real problem is in the first act.

5. Tip from Ernst Lubitsch: Let the audience add up two plus two. They’ll love you forever.

6. The audience is fickle. Know where you’re going.

7. In doing voice-overs, be careful not to describe what the audience already sees. Add to what they are seeing.

8. The event that occurs at the second act curtain triggers the end of the movie.

9. The 3rd act must build, build, build in tempo until the last event, and then…

10. …that’s it. Don’t hang around.

April 18, 2011

Ten Tips to Get You Writing

This list of ten tips for screenwriters from FilmScriptWriting.com is a useful resource for avoiding writer’s block and inspiring creativity. The list is hardly perfect — I wouldn’t take these tips as gospel — but it’s a good starting point for getting those typing-fingers working:

1. Read more scripts.

That’s what the sample script section of the site is for. We’ve also got a link to a site that is chock full of scripts in the use resources section.

There are many advantages to reading scripts. First is it allows you to become very knowledgeable when it comes to formatting. When you read an original draft of a screenplay that you’ve already seen then you get to see what was changed from the initial script. You will also get a better idea how to layout and transition between scenes.

Read a couple of scripts over the weekend and write down everything you’ve learned. Keep it blue tacked to the wall behind your monitor to remind you until it is ingrained in your brain.

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